surely

 [Sarah has attached a bandage to her heel]

 

Their feet are like their hearts and brains, which like many other things are forgotten unless they hurt.

Their feet are like their hearts and brains, which like many other things are forgotten unless they hurt. ●

 

by Brendan Todt

Sarah has attached a bandage to her heel nineteen of the last twenty-two days. Two days she did not leave the house or put on proper walking shoes (or shower). One day she simply forgot. Many days she abbreviated or severely revised her need for errands: groceries, prescription refills, the redemption of a gift card she won in a raffle. 

Life is not all bad, even with an injured foot, even when the nature of the injury escapes her. She looks back at her life and there are many things she does not understand. Her GP asks her about a trauma, which Sarah learns means a traumatic physical impact to the foot or body, not any of the other traumas of which Sarah sometimes talks in classrooms and other rooms. 

Very few of her students ever talk about their feet. Their feet are like their hearts and brains, which like many other things are forgotten unless they hurt. One day in class a student directs Sarah to the German word for dream: Traum. She thinks about the dreams she has had: the ones that have come true, the ones that have not. She does not know which hurts more anymore: the foot or the daily pulling of the bandage from it.

Brendan Todt lives in Sioux City, Iowa. His poem “Because the Living May Be Worth Something, Too” was selected as a Best of the Net nominee by Ekphrastic Review. He won the 2021 Juxtaprose Poetry prize and teaches creative writing at Morningside University.


Corpus Proelium 

 

It’s the only thing you’ll ever have in common with an astronaut. 

It’s the only thing you’ll ever have in common with an astronaut.  ●

 

by Jordan Dilley

Mycobacterium tuberculosis

Just beneath the skin the needle slips. This is no regular injection; this isn’t an inoculation. The nurse calls in a purified protein. Only many years will you frown at the irony. Today you only wince as the needle slips out again. “See? Not so bad,” the nurse says, spreading a Bugs Bunny Band-Aid across the prick. You don’t even like Loony Tunes, only watch it when it’s too hot outside to play, loathing the canned sound effects, and the unnatural saturation.
     Every time you go to the refrigerator, there it is. A chart measuring diameters and the possible skin textures the injection point might assume. You stare at your arm, comparing the flat, smooth texture to the most interesting possibilities suspended by a Grand Canyon magnet. Each day you check back, but there’s no change. Your mother assures you that’s a good sign. 

Leukorrhea

The good news is you haven’t peed your pants. The bad news is, they’re still a little wet with a substance you’ve never seen before. Vicious, almost translucent except in the spots where it isn’t, and so stretchy. Like in those old Gak commercials you can “Stretch it!” between your thumb and forefinger, the rope grows slimmer but never breaks. You want to ask someone older and wiser about it, but you have no older sister and your stepmother never read Our Bodies, Ourselves because it’s one of those bad books with clinical terms and illustrations.
     The school nurse is straightforward. She smacks the illustrated uterus with her pointer. Discharge she says without hesitation. Its consistency and texture will change throughout your cycle; you can track your fertility by it. But you’re a long way off from fertility apps and basal thermometers. And anyways, something worse is coming that no amount of hygiene videos or smiling uteruses can help you navigate. Winged pads whose adhesive will refuse to unstick, cramp-induced diarrhea, the gush every time you stand up, roll over, or think about dolphins—your only compass is routine and endurance.
     After the nurse’s lecture, you check the uterine poster. One of the ovaries is dented from her pointer, almost punctured.  

Anemia 

It’s the only thing you’ll ever have in common with an astronaut. 
     “We’re still go. Automatic launch sequence initiated. Full internal power. Arm retraction complete. T minus twelve…eleven…ten…nine…eight…seven…six…five…four…three…two…one. And we have launch!”
     Couch receding into the distance, legs straighten, you’re gaining altitude. Whoosh. Lightheaded again, your blood pressure plummets. But you don’t fall back to earth. Drawing on auxiliary power you move forward. Toward another class, toward a disappointing salad (no bread please), toward your waitressing shift where you’re little more than a meat and potato delivery drone. Chives, extra butter, and a side of ranch! You imagine having a coin slot in your thigh. Fifty cents for butter, twenty-five for the chives. Ranch is a dollar and you’re cut off at one. It seems more reliable than hoping for tips.
     But you don’t have a coin slot, you have a mouth. And you have little tablets that taste like death and make your tongue black. When you ask the pharmacist if there’s another way, she rolls her eyes and hands you a small bottle labeled “Yummy! Liquid Iron.” The dosage instructions are for children under four, so in addition to exhaustion, low blood pressure, headaches, and a weird heartbeat, you have math homework too. The citric acid doesn’t mask the taste, and your tongue still turns black, but you’re relying less on auxiliary, and you start to replenish your reserves. 

Salpingostomy

You’d be relieved if you weren’t hemorrhaging. If the pain in your abdomen wasn’t blurring your vision, making the IV bag seem like an entire ocean, you could tell the nurse you barely found out you were pregnant. Though later you’ll wonder if the little sack stuck in your right fallopian was a real pregnancy if it was never viable. But you can’t say any of these things, so you mumble through numbed lips while the nurse preps you for surgery. 
     The operating room is cold, like a meat locker or a morgue. But at least it’s outside of you. You’ve still got skin and the skimpy hospital gown as shields. Then the anesthetic is injected, and the cold is inside you. Crawling up your arm toward your heart and brain, you count backward from ten. Things get fuzzy around five.
     You wake up confused to a different nurse holding a cup of water up to your mouth. Your throat is so dry. The water helps, but the intubation tube has left your throat raw. You try to communicate your hurt, but it comes out warbled, incoherent. The nurse doesn’t have the patience. There’s someone in the next bed who just had a cancerous tumor removed. They woke up moaning, jangling the side rail bars around their bed. The nurse sighs and tells you they wished every patient was like you, before untangling the tumor patient’s wrists from the side rail. 
     You’re a good patient. You keep all your hurts inside. You cover the scars on your belly with the hospital gown, the ones in your amygdala with a smile. 

Osteopenia

“It’s like a warehouse trying to walk on stilts,” he says, taking a pair of tongue depressors and demonstrating across the desk, letting his forearms weight down the little balsam sticks.
     You frown at being compared to a warehouse. You liked your last doctor better, the one with the candle from Anthropologie she never burned. It collected dust where it sat on her desk, but the fact that she was the type to buy a forty-dollar candle instilled confidence. Dr. Sullivan has lopsided hair you’re pretty sure is a toupee. 
     The pharmacist rattles the bottle of supplements and calls your name. 
     “I called your name three times,” he says as you sign for the insurance.
     Say it again, bitch. Instead, you just smile as he bags the supplements. You quit apologizing for small things years ago. 
     One of the supplements smells like fish food flakes. You choke it down with coffee, but that isn’t the end of the smell. Every time you pee it’s like you’re in a pet store staring into the plexiglass tanks at goldfish who swim in and out of miniature castles, and bob over rainbowed pebbles. 
     On a Wednesday morning, you wake up to snow. The driveway and street are covered with inches of glistening powder. As a child you relished these mornings, everything transformed, the world made magic overnight. Now all you see is danger. Blinking hazards across the driveway because there might be ice underneath the snow. A siren on the way to the mailbox because the snow is hiding a tree root that broke through the pavement years ago. Even a stop sign outside the front door because icicles have formed on the roof and are dripping onto the second step. 
     Every trip upstairs is a negotiation between gravity and your SD numbers. You develop a checklist without consciously seeing it as such. You must be wearing shoes, your hand must be dry—no lotion or sweat, and you must be leaning forward. A fall leaning forward is better than a fall leaning backward. Forward you can deal with, backward and it’s all up to gravity and angles. When your nephew offers to paint the banister where the beige paint has worn off, you turn him down so quickly he looks hurt. You ply him with sugar cookies until he forgets you even have a banister. Before he goes home you wipe the blue frosting off his lips. It smears on the back of your hand, and you marvel at the nearness of the pigment to your sometimes bulging veins. 

Atherosclerosis

“It’ll be smooth sailing after the surgery,” the surgeon says, patting your leg under the ugly hospital blanket.
     Smooth sailing. Of course, it will be, everything is smooth after you fall off the edge of the world; there’s no friction to hold you back anymore, just a steady descent.
     The surgeon continues, rattling off recovery time, the survival rate for a woman your age, even what kind of foods you should be eating afterward (hint, they don’t include bacon or Chubby Hubby). But all you can think about is whether surgeons wear diapers during long surgeries like yours. Six hours is a long time to go without a bathroom break, and are they really going to go through the process of scrubbing, gowning, and gloving again? And how is that sanitary? Even if they restrict themselves to liquid waste? 
     “Sound good?” The surgeon asks.
     You nod, too embarrassed to admit you were thinking about his bowel movements and not his post-surgery advice. 
     When he leaves, the woman in the next bed asks “Single, double, triple, or more?” 
     “Just the one,” you say.
     She closes her eyes and leans back into the stack of pillows. “Amateur,” she says, holding up three fingers. 
     You try to feel grateful it’s just the one blocked artery for you, but when you notice her nicotine-stained fingertips and the tight wrinkles around her lips all you feel is a sense of superiority. At least until the anesthesiologist wheels you into the cold operating room.
     “Count with me. One…two…three…four…five…” 
     Indigo, violet, magenta. Forest green, olive, chartreuse. Mustard, canary, lemon. You measure the passage of time by the colors that bloom from the middle of your chest. When only the faintest trace of yellow remains, you’re cleared for things like exercise and sex. You roll your eyes at both. You’ve never liked the first and the last time you had the second people were stalking Walmarts and Targets for Furbys. But you dutifully scrounge your closet anyways and find an old pair of sneakers that are stained with potting soil. 
     Just around the block at first. Past scribbled dinosaurs and spaceships in neon chalk. Past the hound with white hair around his nose and mouth. He barely lifts his head, you have no mail sack, so you’re not his problem. You bend down at a cluster of tulips to tie your shoe. Yellow and red petals tremble in the cold spring wind as you bunny-ear the laces. The petals are brave to be out so early. You want to press them back into the ground where it’s warm and snug. Wait until later. You reach out and brush the beaded stigma with your fingertips. The sticky surface coats your fingers in saffron pollen which you wipe on the front of your jacket. 
     Toward the end of your walk, just as you turn the corner onto your street, your chest begins to ache. Hand still stained deep orange; you massage the scar that ripples underneath your t-shirt. The doctor said aches and pains would be normal for a while, but you have no baseline for comparison, no way to know if this is a normal pain or a sign of something else. You rip off your jacket and t-shirt and toss them on the bathroom floor. When you get out of the shower you notice the smears on the hem of your t-shirt where your ovaries would be if you had them, the lines of orange down the front where your heart lay exposed. You turn toward the sink, and something in your leg pops.

Jordan Dilley lives and writes in Idaho. She has an MA in literature from the University of Utah. Her work has appeared in the Vassar Review, Heavy Feather Review, Anti-Heroin Chic, and Loch Raven Review as well as other publications. Her 2022 short fiction piece “Lani in the River” was nominated by JMWW for a Pushcart Prize.


 Play Dead

 

So she let herself in, using the spare key, and found the twins in her charge lying dead on the living room furniture.

So she let herself in, using the spare key, and found the twins in her charge lying dead on the living room furniture. ●

 

by Rory Say

Miss Raymon rang the doorbell and stood freezing on the steps. Half a minute later, she rang again. Then she knocked. There was no sound she could hear from inside the narrow townhouse, no light she was able to glimpse through the curtained windows. This irritated rather than concerned Miss Raymon, who had not wreaked havoc on her bad hip by trekking nine blocks through the Christmas crowds and the cold only to be stood up by these two brats and their lush of a mother, for whom she—Miss Raymon—was always going out on the barest limb to help.
     So she let herself in, using the spare key, and found the twins in her charge lying dead on the living room furniture.
     Unlucky for them, Miss Raymon was nobody’s fool.
     “You expect me to fall for this crap?” she said, glaring into the room. “Where’s your mother?”
     Simon lay prone on the couch, his head buried beneath cushions. A few feet away, his sister was more convincingly sprawled sideways across the coffee table, magazines and coasters scattered about, one arm slack halfway to the floor.
     “Have it your way.” Miss Raymon kicked off her boots and lumbered down the hall.
     In the kitchen she scanned the countertops for a note but found only smeared plates and food left out that belonged in the fridge. A carton of milk sat warm on the table. How long had they been left alone? And why? Why would Avril go out early without calling ahead? Even at her worst she was better than that.
     Unable to support herself a moment longer, Miss Raymon went to the table and eased her bulk into a chair. Tiredness spilled through her. As she waited for her various pains to lessen, her ragged breathing made a soft scraping noise she was forced to listen to. She felt old and heavy, thoroughly worn down. Often in the evenings she thought of herself in this way, as some old and heavy battered object which had moved great distances through the world.
     She was always moving. She was always going odd places and handing out favors. Take Avril. A year now since her first meeting, almost as long since Miss Raymon agreed to sponsor. And for what good? A few rocky months of midnight phone calls, then relapse, wagon, relapse, wagon, then to hell with the wagon. A New Year’s resolution case, in retrospect. Never serious. And the twins, for Christ’s sake. Miss Raymon’s heart in these matters always went out to the kids.
     So here she found herself, wheezing in someone else’s ruined kitchen two days shy of Christmas.
     When was enough enough? When did one have to admit to oneself that all of one’s help had already been given and that there was simply no changing certain people, no matter how often you drove them to job interviews or reasoned with employers over the phone; no matter how many fives you lent them—or tens, or fifties, knowing full well that, despite ardent assurances, compensation was anything but likely, and knowing also that these bills you could barely afford to part with might not really be intended for a grocery store—no matter how many times you trudged nine blocks through the elements with your sore feet and screaming hip in order to facilitate the latest bender by minding their six-year-old twins?
     She would speak to Avril. Enough had been enough for far too long. She would wait in this shameful kitchen until Avril returned and demand that she sit down and—
     A sound came from the living room. Or had she imagined it? Miss Raymon found her mouth filled with stale gingerbread, her hand in a store-bought plastic carton open on the table. Brown flakes dusted her coat, which for some reason she had yet to take off.
     “Simon?” she called, spraying crumbs out in front of her. She swallowed dryly and began to cough. “Samantha?”
     A firecracker squealed from somewhere out the kitchen window, followed by another. Nothing in the house moved.
     Miss Raymon tried to stand but had to sit back down, overcome by dizziness. Christ, this place. This woman. She cursed Avril as she waited another moment, then rose again, slowly this time, keeping one hand on the table until she felt sure of her legs.
     There had been movement in the living room after all. One of the cushions had fallen from the couch, partially revealing Simon’s head, his light brown hair unwashed and awry. As Miss Raymon stood watching in the doorway, Samantha’s legs began stretching out.
     “Hah!” Miss Raymon barked in triumph. “You two thought you could fool me, but I know dead when I see it.”
     The young girl rolled on her stomach and looked up with sleepy disinterest at the old woman. Their eyes met and then fell away as Samantha looked about the room, plainly surprised by where she found herself. She reached over and prodded her brother, who stirred slowly to life.
     “Game’s up,” said Miss Raymon.
     Both twins regarded her as though she spoke some strange language, their tired faces hauntedly pale. They looked like a pair of children starved of light and water. Simon yawned gigantically.
     “Is it Christmas yet?” his sister asked.
     For some reason the question made Miss Raymon’s thoughts go blank. She was still standing with only her head in the room, but now she went to the oval-backed armchair across from the couch and sank down.
     “Get off the table,” she said to Samantha.
     “Did you bring us presents?” Simon sat erect on the couch, suddenly alert. “Mom said you would.”
     “What?” Miss Raymon winced at a sharp pain in her chest, something new, something different. She spoke louder to keep it buried. “Do I look like Santa Claus?” she said. “Don’t answer that.”
     The twins exchanged a sorrowful look.
     “You don’t even have a chimney.”
     “But Mom said—”
     “I’m sure she did,” Miss Raymon snapped. “I’m sure she said all sorts of things. As a matter of fact, I’ve got a few things to say myself to that mother of yours.”
     That pain in her chest again. Her heart stung with each intake of breath. She began massaging her chest, then allowed her hands to search the deep pockets of her overcoat, feeling receipts, wrappers, lint, change, unknowable morsels of junk she’d at one time felt compelled to keep. She had no idea what she wanted until she took it out and presented it to the twins, an unwrapped candy cane given to her by one of the shrill carolers outside her building. She’d kept the curled end in her mouth for most of the walk over, but it was only lightly diminished and still retained most of its red stripes. Simon took it greedily.
     “You’ll get presents if you’ve been good,” said Miss Raymon. “Day after tomorrow.”
     She had more to say but kept quiet. There was something wrong inside of her. It felt as if a rough hand were testing the ripeness of her heart, over and over, tightly squeezing and releasing. All she needed was to sit quietly for a while.
     “What’s wrong with you?” Samantha said.
     Miss Raymon tried to smile.
     “You don’t look good.”
     “You look scary,” said Simon.
     “I’m only tired after that walk,” said Miss Raymon. Her breath came in that sharp wheeze again, the sound of ice being scraped from a window. “Just need to rest a moment. Go and get me some water.”
     Simon slid from the couch and left the room. Samantha followed. 
     Alone with her thoughts, Miss Raymon tried to resign herself. Either the pain would pass or it wouldn’t. She told herself it would, but she wondered what would happen if it worsened. What would she tell the twins if her heart began to explode in front of them?
     When they returned, she took the glass from Simon and drank it down with some difficulty. Maybe it helped. Her eyes clenched shut as she willed the pain to diminish.
     “I’ll go see if Mom’s awake.”
     It was Samantha who’d spoken. Opening her eyes, Miss Raymon could see through the doorway as the young girl took the stairs on all fours. She turned to Simon.
     “Where’d your sister say she was going?”
     The boy looked confused by the question.
     “Is your mother here?”
     “She’s asleep.”
     “Asleep?”
     Simon nodded helpfully. “She’s been asleep forever,” he said. “She must be really tired.”
     Miss Raymon looked straight ahead of her, at the mess on the coffee table.
     “How long’s she been asleep?” she asked.
     Simon had to think about this. He’d begun sucking the candy cane he’d been given. “I don’t know,” he said. “Since yesterday or the day before. She went to sleep on the floor and we had to put her to bed.”
     Just then Samantha reappeared.
     “I think she’s sleeping until Christmas,” she said.
     At some point Miss Raymon had gotten to her feet.
     “I’d better go up and see that she’s all right,” she said, and stayed where she was.
     “Why?” said Simon. “What’s wrong with her?”
     “Who said anything was wrong with her?” 
     “I’m hungry,” said Samantha. “Did you come over to make us dinner?”
     “Yes,” Miss Raymon said quickly. “Now why don’t you both go and wait in the kitchen? I’ll be back down in just a minute.”
     “She must be really tired,” said Simon.
     Ignoring this, Miss Raymon went calmly out to the front hall. The twins passed by behind her as she mounted the stairs. It was dark, and yet she moved easily, all her pains now forgotten.
     At the top landing she found a light on in one of the three upper rooms. She had never entered Avril’s bedroom before. There was the smell of long-unwashed bedding, of sheets stained by many nights of sweat. There were clothes on the floor and on the cluttered dresser. There were little plastic bottles next to the upturned lamp on the bedside table, as well as an amber capsule of pills. And there was Avril. She lay on her back covered to the chin, her face pointed at the ceiling. Her eyes were closed and her mouth was parted. Miss Raymon could see at once that she was dead.
     Sometimes the body knows ahead of the mind what to do. Calmly, Miss Raymon went to the side table and collected all the little bottles and the pills and hid them in her coat pockets. As she stood looking down at the face in the bed, some certain part of her recognized, even then, that she beheld the shape of a great failing born wholly of herself. There came no real surprise with this knowledge, only a tide of shame that sent blood from her head and caused her to sit for a while at the edge of the mattress. She began to speak but found nothing to say.
     By the time she went down to the kitchen, the twins had gone back to sleep. It was almost late. Simon sat at the table with his cheek resting on a plate of crumbs, while Samantha was slouched in her chair, head sunk between shoulders. Miss Raymon took the one vacant seat and allowed her own eyes to rest. Then, after a time, she shook each child gently by the shoulder and asked them both what they wanted to eat.

Rory Say is a Canadian writer of short fiction from Victoria, BC. Work of his has recently appeared in The New QuarterlyAir/LightUncharted, and Short Fiction: The Visual Literary Journal. A chapbook collection of his stories, titled The Marksman, was recently published by Red Bird Chapbooks. Read more by visiting his website: rorysay.com.


 Handyman

 

There, in middle of the head, is a brass socket.

There, in middle of the head, is a brass socket. ●

 

by Mario Moussa

Jack makes three incisions by the ear of his patient and pulls a rectangular flap of skin back from the skull. He lays the flap down across the shaved scalp above the exposed area, then reaches for a small electric saw sitting on the metal tray next to the table. He presses a button on the handle of the saw and the blade begins to whir then makes a grinding sound when he pushes against the bone. One, two, three, four cuts, very efficient Jack is, always. Perfect geometry. Using a tool that looks like a nail file, he lifts the severed piece of bone at an angle, like a small door in a cabinet and…this is starting to feel strange, he says to himself, observing the scene from above, aware that in reality he’s lying in bed next to his wife, who snores and sighs…he flips down the magnifying lens strapped to his forehead, switches on an LED light that shines through the glass, and peers inside. There, in middle of the head, is a brass socket. “Perfect,” he says out loud, extending the word in an uncharacteristic purring voice. He looks around the operating room to see if anyone on his team has noticed an odd quality in his speech, but he’s the only person in the room aside from the patient, who lies immobilized underneath Jack’s hands. With a shrug, Jack continues the procedure. He finds a light bulb still in its paper package, sitting among the other tools on the metal tray. He slips his fingers down around the top of the bulb, noticing with a shock that his hands are bare. “Well,” he thinks. He inserts the bulb into the skull, leans in closer, and squints his eyes, making several turns until the he begins to feel resistance. To check the connection, he yanks at the patient’s ear and the bulb illuminates the inside of the head. Jack pulls back the sheet covering the patient’s face and sees beams shining through the eyes like headlights. It reminds the daytime Jack that his wife also asked him to take the car to the dealer for a 50,000-mile service appointment. He’s never been much help around the house or reliable about doing errands. In the morning, before he leaves for the hospital, he’ll probably ask his wife to deal with the car. But as he drifts into the next phase of slumber and the images dissolve into a confused swirl of colors and feelings, he feels the satisfaction that comes with doing so simple a task as changing a light bulb.

Mario Moussa is a writer living in Philadelphia. His stories have appeared in Write City, Flash Fiction Magazine, Litbreak, and elsewhere.